[Diary Entry, 1997]
Crossing the tarmac at Munich airport, my heart sank at the sight of the Croatian Airlines ATR 42, even tinier than your average Sabena regional jet as well as being propeller-driven. I had never experienced this before, but had heard endless laments from colleagues about noise levels (which subsequently proved unfounded, though the vibration distorted conversation from the rows behind to the extent that even the snatches of conversation in Danish were rendered incomprehensible – nor would I recommend teeth-gritting as a fear-management strategy on this particular mode of transport). As I stepped out of the bus, I did a quick head count. Of the forty or so passengers, I was one of only three women. We had to board at the rear hatch, as the entrance at the front opened on to an unfitted, unupholstered space draped over with netting. Seat 9A. I let most of the others overtake me. A man in an ill-fitting polyester suit frantically dialled his mobile a few metres from the plane – one last call before take-off. At the top of the stairs I received my initiation into the Croatian language: pepeljara (ashtray) and izlaz (exit). The stewardesses were bemused by my grin.
Fasten seatbelts while seated: zavežite svoje pojaseve dok sjedite. Life vest under the seat: pojas za spašavanje je ispod Vašeg sjedišta. Ljeto for summer. A map in the in-flight magazine accompanied by the usual effusive commentary extolling the virtues of the home country (implicitly complimenting the reader on his discernment and good taste in selecting the destination of travel) informed me that Croatia has 4.8 million inhabitants. Jadransko More is the Adriatic, Crno More the Black Sea and Budimpešta my spiritual capital. The hostess roused me from my daydream, more vocabulary: osvjezovajući rupčić for refreshing tissue. Wiping the sweat from my palms, I gazed at a flotilla of hot-air balloons floating sedately over a lake. Mountains in the distance, the Alps. Vrhnje za kavu, cream for coffee. “Would you like a drink, maybe?” Then: “Would you like coffee, maybe?” She poured into the plastic cup a brew so vile that I was tempted (only tempted, mind you!) to retract my pet jibe about Sweden (the Swedes being so puritanical that one of the few vices they indulge in, the imbibing of a caffeine-based stimulant, is so bitter that any possible pleasure that may be extracted from the experience is immediately ruined, banished in favour of dull utilitarianism). Below us bare peaks (karge Höhen) stretched endlessly, pockets of snow on the flats, valleys gouged so deep that it seemed as if the benevolent rays of the sun could never penetrate them. A láthatárig. Za vašu sigurnost, for your safety. A delicately wrapped sliver of chocolate on a tray. Kras the brand name.
Zračna Luka Zagreb, its style reminiscent of Ferihegy 1. Tension. Should I enquire about declaring currency? Two luggage collection points. I had been the first through passport control. The doors beyond customs would slide tantalisingly apart to reveal a glimpse of the concourse. No sign of him. In fact, the airport seemed to be in semi-slumber, so few in number were those waiting for new arrivals. I remembered noticing my forlorn bag about to be loaded, ignominiously squashed between suitcases. Had my packing been careful enough to allow for this contingency? Would the cheese be safe or had it oozed its way out of the cling-film restraints to smear over my ankle-length velvet dress in a foul-smelling not quite removable mush? Restlessness chivvied me across to the trolleys just as the conveyor belt shuddered into motion, announced by the customary impatient beep. I had scanned the tri-lingual notices concerning travellers’ allowances. A single bottle of Drambuie could not possibly cause offence, although all the other passengers were heading for the exit via the “goods to declare” channel. I made my way towards the “nothing to declare” and a uniformed male officer challenged me in Croatian. When I failed to respond, he repeated: “Passport?” I obediently removed it from my wallet, which necessitated a lot of fumbling. Then I decided to elicit information to establish the veracity of a Hungarian newspaper article (about tourists being harassed by border guards over the import of foreign currency even when the amounts were not excessive and obviously intended as spending money) that had preoccupied me for a couple of weeks. In spite of speaking slowly and clearly (without that patronising, overdecibelled tone that monoglots adopt towards the “ignorant” foreigner) I failed to make myself understood. The officer called over a member of the ground staff. I addressed her in German, ascertaining from her reaction to my English that it would simplify matters greatly. In the course of the next two minutes I succeeded (inadvertently) in insulting them both. Instant mortal enemies! “This is not Former Yugoslavia,” intoned the officer with obvious disgust, “This Croatia! No Serbia!” Rather than justify my ignorance and dig an even deeper hole beneath my feet I withdrew, shamefaced.
I do not know how many times I had enacted the scene of the long-awaited arrival in my mind without expectation of anything other than certainty. That not only would I be able to gauge the situation from the reception, but that also I would know within myself. Even the subtlest invention cannot take account of every permutation. A small group leaned patiently on the railing to my right. Neal was not amongst them. I did not succumb to either panic or dismay, but took a deep breath and began to peer further along the corridors. Sure enough, there he was, almost exactly as he was when he had left me to bounded up the staircase in Debrecen. He had fleshed out slightly. I feigned relief to dispel any initial awkwardness. Burdened down, I could do nothing but feebly extend my hand. He took it, then kissed me on each cheek, exactly as he had done when we parted. Leading me towards the bar, he explained that a friend of his, Dika, was there. She was due to leave for Split at nine, would I mind if we stayed for a while? Dika was warm and cheerful with a kind face. Sipping mineral water I recounted the details of my journey to them. What were my impressions of Croatia? Airport bars with their hectic anonymity are not the best setting for identifying the unique. The radio blared out pop ditties from Split and three or four men in their early to mid thirties sang along tunelessly. I was surprised by how new and pristine it was, unlike the rundown, primitive facilities in Ferihegy 1 with its newsagents and beer over the counter arrangements. Here the ceiling undulated sensuously with polished cherry wood and halogen lamps provided bright but discreet illumination. Neal and Dika chatted in Croatian. I grinned. “What does boca mean?” “It means bottle”. Dika excused herself and bustled off. “How do you feel?” “Fine,” blandly. In the last week I had suppressed knowledge of the trip to the extent that it came almost as a surprise to me when I had to pack on the morning of departure. Contentment, well-being and excitement. None of which I would admit to in spoken words. To distract: “It is very confusing for us to see that the word for arrival is virtually identical to the word for departure: dolazak and odlazak, exactly the same letters, just with the first two swapped round”.
I was beginning to wonder what had happened to Dika when she returned. It transpired that she had been checking in. “Two people in front of me and I have to wait twenty minutes, ridiculous!” It was approaching eight thirty. We kept her company on her walk to the gate. Their fondness for each other glowed as they bade farewell. Though I too would have given her a peck on the cheek (Waffelian habits finally catching up with me!), I shook hands instead.
There was little to see in the darkness. Neal deposited my bag in the boot and we climbed aboard the bus. With his usual attentiveness, he folded my coat, placing it in the rack above the seat, positioning the laptop carefully on the seat across from us, resting his hand on it protectively. Only a handful of others were there. I persuaded him to open the present from Denmark. “I will put it in a special place when we get home”. I quizzed him about the two important things he has to do. He has taken a month’s unpaid leave in order to study for an important exam, which will enable him to join the Croatian Architect’s Association. Every day during my stay he intends to swot for at least four hours. Art, from ancient Egypt to the twentieth century, hundreds of pictures to be memorised along with the names of the artists and details of period, style and contents. Instant recollection, indispensable. Success will mean that he can establish his own practice, freeing himself from the grinding subjugation of toiling for another. Recognition, custom, improved salary (800 dollars a month at present). Then he must tour the offices to complete the paperwork that goes with changing his name. The operation itself will take place either in October or November.
When we arrived at the terminus, which, in its concrete heaviness squatted unapologetically like similar edifices across Central Europe, he wanted to know whether we should walk or take a tram. I had some excess energy and the evening air was balmy. We passed the meridian line, Neal dutifully hauling my bag. To our left, a compact rough-hewn miniature castle jarred out of context at the roadside. Neal did not make any effort to conceal his scorn. “I hate this building. It is stupid”. Far from being a stranded relic or ancient gatehouse, it was perfectly modern, a family dwelling, twee rather than pretentious. On our right, row upon row of blocks of flats, not excessively tall, but grey and unimaginative, parking areas thankfully sheltered by trees, slogans about young people and peace as well as inescapable advertisements relieving the monotony of otherwise blank smoothness. We veered off to a path beaten through the grass. “Now it is not far,” he reassured me. Motorway flyovers and pedestrian underpasses. Ahead three tower blocks that reminded me of the decaying wastelands of London or the vanishing high rise ghettoes of Glasgow, the austerity of deprivation. We took the lift, the door to which can only be unlocked by residents, to the third floor.
The hallway, dining area and kitchen are floored with mocha linoleum. A sparse, yet not spartan habitation. Living room, which doubles up as a bedroom. For some reason I had expected a balcony or at least some means of opening out on to the road for ventilation. Acceleration, deceleration, screeching of brakes, whine of wind resistance, blare of horns, starting up of engines. Day and night without ceasing, a tarmac landscape lit by spotlights arranged theatrically on constructions that reminded me of the surveillance towers on the Eastern side of the Berlin Wall, or alternatively, huge masts of varying height with crows’ nests to accommodate the clusters of bulbs.
Bookshelves piled with magazines in Italian, a desk dominated by an Apple Macintosh and an anglepoise. A postcard of a bride pursuing a groom, both on bicycles, grimly determined that he should accept her offering of the bouquet, beside them a black and white image of a nun, a cross suspended above it from the lamp, a paperweight with glass flowers. Three posters: the Korean section of the 6th architectural biennale in Venice, a collection of drawings by Palladio and the Debrecen programme in all its glory. A wall unit comprising shelves, drawers and wardrobe space, practical rather than decorative, silver dolphins leaping exuberantly, books in Croatian, Italian and Hungarian, a sofa bed, parquet floor.
He began to spread a feast before me on the table, but I had no appetite. The meagre sandwich and slice of cake on the plane had more than satiated me. I, however, was anxious that he taste the cake I had made for him, to discover whether he liked the cheese. “You can marry,” he joked, “It is good”. Liebe geht durch den Magen. I forced myself to eat a banana and joined him in a glass of Drambuie. With childlike enthusiasm, he cut open the cheese and sliced it. Chaumes, Saint Albray. I sampled local ewe’s cheese, which did not appeal.
Afterwards, we withdrew into the living room to chat about Debrecen. He showed me his photographs of his Irish roommates and other friends. I churlishly corrected the grammatical errors in P’s letter. Then came O’s lament that she had not received enough attention, making her antipathy for Jenő very plain without specifying its cause. According to Neal, they probably had an affair last year. So Jenő’s motive for attending is to kick over the marital traces for a fortnight a year and indulge his craving for variety. A hedonist. Undeniably, in the few photographs where they appear together O’s expression is strained and forlorn, rigid with tension. Possessive was the adjective Neal applied to her. Selfishly, I felt no sympathy for having deprived her of his company that evening in Eger. In the same album there are pictures of him that reveal his humour and never dampened spirits. My favourite showed him reclining on a lawn beside a white statue of a gargantuan woman adopting an identical pose to heighten the contrast. We debated E. He had immediately noticed the attraction between her and J on the very first occasion they went out together. He is both observant and empathic. “I feel many things with many people,” as he himself puts it. Before I could draw similar conclusions about the internal dynamics of the group I had to overcome my own self-imposed inhibitions, to set aside my hostility, to dare to emerge from the chronic state of self-absorption and allow myself to be drawn into the society of friendship from the aloofness of rivalry.
I feel perfectly at ease in his company, liberated from the necessity to impress, from the anxiety of appeasement, of pleasing, of entertaining to distract from the blight of my perceived inadequacy. I stretched out over the bed as he retrieved a shoebox from the wall unit. His green eyes sparkled with amusement as he revealed the contents: hundreds of photographs that we could not go through without staying up all night. He decided to show me some pictures of how he used to be. A long-haired woman leaning against the parapet of a bridge in Venice, wearing sunglasses and hugging a handbag defensively. I did not recognise him. Indeed, for me, these captured moments of the past were like a faint echo borne on a sea breeze. They did not even resemble the individual I know. Then a much younger Nela, short, spiky hair, full lips and stiff pose, a radiant girl with long brown hair beside her. “She was my first love,” he sighed. A studio portrait, when he was aged eighteen. “You can see my whole inner life in my eyes. You can see how I was feeling and what I was thinking”. I had to agree. A slender and delicate figure, eyes brimful of pain, neither hostile nor resentful, but slightly wary, mistrustful, intelligent, aware, lost. Self-conscious, ill at ease, subdued. Back a couple of years, sitting on a beach in the sunshine, holding a small child, smooth, hairless legs, swimming costume. Then in a dimly lit living room, again with children. Quiet, contemplative, solemn, her beauty striking. The same short-cropped hair, a shirt unbuttoned at the collar, an almost fragile look about her, face pale, features fine. I could imagine her on a catwalk in Paris, modelling furs, her high cheekbones conveying an impression of cool arrogance, her eyes flashing with a contemptuous fire. Finally, a later image, together with two women, Nada, dressed in black, head to one side, looking directly into the lens and yet keeping her distance and Lydia, an attractive, vivacious, slim blonde, laughing. “These are the two most important people in my life,” he informed me. In flicking through one album, I learned more about Italy from his panorama shots than from a myriad of professional, glossy-paged volumes. By then I was exhausted and retreated into the bathroom with its peculiar mixture of razors, aftershaves, mud packs and skin creams.
In the morning he laid the table for breakfast, a daily ritual. As I lay beneath the duvet, the rich aroma of coffee roused me from half-slumber. He cut more of the cheese, urging me to eat some too. Afterwards he had to embark on the painstaking process of memorising dozens of illustrations from the many art books on his shelves. As he hunched over his desk, tying his hair back into a pony tail with a small navy blue band, I drifted back to sleep in the morning sunshine, much as had been my wont all those months ago in L.
We dined on soup and a pasta dish that he made before slowly gathering momentum to head for the centre. He insisted that I wear socks, but I refused, not realising that it would cool rapidly later on. We took the lift down and, stepping into the sunshine, I breathed deeply, ready to drink in my new surroundings. A newspaper stand was our initial port of call as Neal purchased tram tickets. Next door stands a kiosk with bunches of bananas hanging from hooks, apples displayed alongside nuts, soft drinks in bottles. We were flanked by the motorway on one side and high rises on the other with covered balconies and rows of socks, shirts and underwear dangling limply, young girls leaning idly on their silky elbows, staring silently at the passers-by. The pavement surface, such as it was, rose and fell abruptly, its unevenness a challenge to the roller-bladers who pirouetted around us. Old men sat on public benches in their black hats, bags of groceries nestling by their feet.
“I have no luck with the tram when I am with you,” Neal complained, “I never have to wait this long on my own”. In the end, we took a different one to normal, changing further down the line. A rotund beetle, camouflaged like a leaf, marched in diminishing circles across the surface of the pane. Horns blared as a fleet of cars festooned with streamers and balloons sped by. “I pity them,” Neal shook his head in dismay, “Because they are getting married”. We turned to pass a wall spray-painted in a variety of styles: an expressionistic train like a refugee from a 1920s exhibition in the Weimar Republic, a fading huddle of female figures in the idiom of Picasso, abstract geometric shapes leading up to the main station on King Tomislav Square. Opposite this, a park with ornamental flower beds, neat pathways and a museum. An anomalous Victorian bandstand, genteel fountain and busts atop columns. “Szálljunk le!” Neal instructed as we trundled into the main square, Trg Bana Jelacica, with its granits benches, elegant cafés and the dominating feature of the equestrian statue looking for all the world like a Hungarian hussar, though I did not dare to point this out.
It was not what I had anticipated. There was not the slightest trace of the war. Budapest, with her shrapnel-gouged granite and bullet-riddled sandstone bears the wounds of her past conflicts more visibly. I was struck by how new and pristine everything seemed to be. Smart shop fronts crammed full of Italian clothes, shoes, the customary neon incitements to buy insurance policies on the rooftops, no litter, no dust, no decay, simply a confident prosperity amidst a profusion of banks. Sleek modern trams in their blue and yellow livery rubbed shoulders with the older models. Popcorn stands and roast chestnuts in paper bags. We began a winding route towards the cathedral along a street lined with small businesses where cobbles were being laid. Leather goods, hats, training shoes. Neal would stop to scan the prices. His feet are growing and he needs a pair for walking. I enquired as to whether they were expensive in proportion to his salary. He does not mind about quality, merely practicality. We veered off so that he could show me a passageway. An alcoholic staggered, cursing incomprehensibly, out of the doorway of a night shop, laden down with bottles. “We do not have problems compared with these people,” Neal reminded me.
Dusk had drawn in almost imperceptibly. “I take you to old part now”. Gift shops and cafés had been built into the sagging plaster and brick constructions painted in cheerful primary colours. An ancient sundial protruded from a wall, the sign at the entrance to the bar beneath it reproducing it in miniature. Although the temperature was pleasant, few customers lounged in the wicker chairs with their gaudy cushions. Neal explained that it was too early for the crowds. The end of the season, autumn’s chill. We turned right and upwards. An armed policeman chattered into his radio. When I asked Neal about the poetry covering the walls, he shrugged dismissively: “It is about war, it is not interesting,” before ushering me through the wrought iron gates. Children played, darting in and out between the forlorn wooden stalls of the market. The pavements were wet, having been recently hosed down to dissipate the smell of rotting leaves and squashed fruit. A memory of Kolozsvár, stacks of eggs in cardboard, red and green paprikas, grapes and peasant headscarves strayed through my mind. Leaving the side street I listened to Neal’s rendition of a conversation we had overheard. A man seeking advice about shirts.
In front of us a pillar, gold leaf covered angels gazing heavenward about the base, a Madonna surveying the city, resplendent in her flowing, opulent robes, arms outstretched compassionately. The cathedral of Sv. Stjepan majestically floodlit before us, partly clad in scaffolding, the attire of restoration. Its hollow spires reminded me of its counterpart in S, though here the scale is smaller, the decoration more austere. Much of the sculpture has been dismounted, the masonry crumbled. Angels and saints with worn faces knelt in an attitude of supplication behind a protective fence. Atmospheric pollution had taken its toll over the centuries. Inside, worshippers bowed their heads in contemplation, scattered amongst the pews. The ceiling between the vaults was painted the same serene shade of blue as the cloudless evening sky, dotted with stars. Neal crossed himself respectfully with holy water, genuflecting to the altar. Memorials to the interred nobility cluttered the walls with their Latin inscriptions and, in the shadow of the central image of the Virgin and Child, a coffin with panels of beaten silver and gold and a portrait of the face if the bishop who rests within. A carved allegory of the church as a maiden with sword caught my eye with its unassuming portrayal of feminine strength and dignity. “If I could steal one object from the cathedral that would be it” I smiled at Neal. Nearing the end of our tour, I was intrigued by strange lettering behind a crucifixion scene. Old Croatian, which Neal was unable to decipher, a translation provided. Just as we reached the exit, the bells began to peal in sombre tone and a man drew down the heavy iron bars to bolt us in. My obvious discomfort at the imminent prospect of guesting in the House of the Almighty was a source of mischievous amusement to Neal who pretended that he had not understood how we were to leave the building.
Back down towards our point of departure, cutting across a street parallel to the main square. Again we arrived at the street where cobbles were being laid with its disarray of warning tape and fine gravel. Our initial effort to ascend a narrow passageway was thwarted by a stream of men in jackets and bow ties accompanied by a bright throng of women in suits and their best jewellery, chatting animatedly. Neal beckoned to me to follow. The restaurants of Zagreb would have no end of trade that evening, as it seemed that half of the fertile population had chosen that particular day to tie the knot. The flow of celebrants was endless. By now, the last traces of orange were fading from the horizon. For illumination, we depended on harsh white lamps in square boxes resting on barley sugar twist legs. “Come with me!” Neal motioned to an entrance a few metres ahead. “Pod grickim topom”, an establishment with an outdoor section on a wooden platform affording an excellent view of the capital. He recommended it to me.
After that minor detour, we continued up the final stretch of the path. A funicular railway, a dwarf in comparison with its counterpart in Budapest, fell away below us. To our rear, a compact white tower with a smaller round metal structure on its roof like the lantern room that sends out its friendly beam, guiding imperilled ships beyond the hungry rocks.